Padang Bai
A perfectly shaped bay cradled in the hills, the harbor of Padangbai is the
main port of all transit to the neighboring island of Lombok, with passenger
and cargo vessels departing each morning. International shipping lines making
stopovers in Bali anchor to the left of the bay; visitors and cargo are ferried
to the pier. An area enclosed by white sand coves and turquoise sea, the small
harbor town makes a good visit for yachtsmen sailing to Bali. The history of
this coastal village is connected with those eventful years that saw the deaths
of Mahendradatta and Udayana at the beginning of the 11 th century.
Pejeng
There are no great ruins here or ancient palaces. The remains of the
old kingdom are mostly statues kept in many temples. One of the most impressive
antiquities in Indonesia, however, is the monumental bronze drum called the
"Moon of Pejeng", loftily enshrined upon a high pavilion in the Pura
Penataran Sasih. It is a thousand years older than the Pejeng kingdom, for it
survives from the Bronze Age in Indonesia which began about 300 B.C.
Penelokan
From the bamboo forests north of Bangli, the road emerges to a lookout above
a huge volcanic basin. Ribbons of black lava ripple down the valley from the
misty peak of Mt. Batur. This is Penelokan, "the place to look", where
the world changes colors. Sometimes, the still lake there resembles blue glass,
and at others, a sheet of platinum. In chartreuse and vermilion houses, the
mountain giri's stride along the rim of an ancient crater surrounding Mt. Batur.
Penulisan
The main road continues its ascent to a hillside in the clouds where, symbol
of modern civilization, Bali's television aerial, claims its high-tech place
beside the long fligh of steps rising to the mountain sanctuary of Pura Tegeh
Koripan. The highest temple in Bali at 1,745 meters, Pura Tegeh Koripan is actually
a complex of temples at which a circle of surrounding villages worship. The
sparsely adorned bales shelter lines of fine statues; portraits 1 of Balinese
kings, queens and divinities; and linggas.
Sangeh
Rawana, the villainous giant of the Ramayana epic, could die neither on earth
nor inair.Tokill him, the monkey general Hanuman devised a plan to suffocate
the giant by pressing him between two halves of the holy mountain Mahameru a
destruction between the earth and air. When Hanuman took Mahameru, part of the
mountain fail to the earth in Sangeh, along with a group of his monkey armies.
And so they stayed to this very day.
Sangsit
The temples of North Bali differ from those in the south. Instead of the small
shrines and meru towers of southern temples, a single pedestal, built on a terraced
stone base, furnishes the inner courtyard. Often, the pedestal supports a padmasana,
throne of the sun god, and sacred "houses" to store relics and serve
as a resting place for deities during temple festivals. Next to the classical
lines of southern decoration, North Balinese carving is forcefully baroque.
Sanur
Save for a few scattered villas owned by lords and heiresses, during the thirties
Sanur beach was left in seclusion. Pandy's Art Gallery was then an aquarium
and coffee shop. Tandjung Sari was a solitary temple on the cape, and Hotel
Bali Beach had not neared its conception. The only surviving home of those times
is that of the Belgian painter Le Mayeur, who moved to Bali in 1932 and lived
there for 26 years.
Sawan
A side-trip southeast of Singaraja passes the small temple of Jagaraga whose
reliefs portray: two smug Europeans in a model-T Ford suddenly taken unawares
by an armed bandit (a robbery probably inspired by cowboy films), flying aces
in one-propped aircraft plunging into the sea; and a Dutch steamer signaling
an SOS upon being attacked by a crocodilian sea monster. Even the wicked Rangdas
and fertility statues-a dazed mother buried under a pile of children-are skilfully
hewn with a delight full sense of humor.
Sempidi
These villages west of Denpasar, are noted for decorative temple sculpture.
Carvings of domestic scenes and mythological episodes are mischievously exaggerated
and painted in bright colors, reminiscent of the exuberant North Balinese style
of sculpture.
Serangan
A pleasant sail by prahu from Sanur or Benoa, carries you to Serangan, an island
just off the coast south of Sanur, nicknamed "The Turtle Island" for
the large sea turtles caught there and fattened on sea grass until they are
sold as the specialty of village feasts. At low tide it is possible to walk
there. The island's sea temple, Pura Sakenan, is held sacred by all the people
of South Bali, especially those of the Denpasar and Mengwi areas.
Sibetan
From Subagan, the village in the solidified lava flow outside Amlapura slowly
putting itself back together, a road heads west along the foothills of Gunung
Agung. It meets the Klungkung Besakih road at Rendang, and thus makes possible
a round trip in Karangasem.
Singaraja
From the highest point on the mountain pass, 1,220 meters above sea level, a
spectacular descent brings you to the northern coast at Singaraja, capital of
Buleleng regency. Buleleng is a strip of land that stretches along the whole
northern coast of Bali-open to the sheltered waters of the Java Sea, and bordering
on most of the other regencies.
Sukawati and Batuan
After crossing the Broken bas-reliefs, rock monasteries and Hindu River Oos
by the large new bridge, the road statues are found scattered among the temples
turns sharply north into Sukawati and then and rice fields.
Tabanan
Pasar Hewan, in Kediri, a village en route to Tabanan, is Bali's cattle market.
Every three days, by the religious calendar, merchants from South Bali come
to buy cattle for export to Singapore and Hong Kong. Other livestock on sale
include geese, ducks, pigs, chickens, and fighting cocks.
Tampak Siring
he hallowed spring of Tirta Empul in Tampaksiring dates from legendary times.
In popular folklore, it was made by lndra when he pierced the earth to create
a spring of amerta, the elixir of immortality, with which he revived his forces
who were poisoned by Mayadanawa.
Tanah Lot
From the village of Marga, the trip west returns to the main route leading to
Tabanan. At the crossroads of Kediri, a side-road branches to the sea, ending
on a green hill which slopes down to the beach and to the remarkable temple
of Tanah Lot, suspended on a huge rock offshore.
Tenganan
On a side-road, leading inland to the hills near Karangasem, is Tenganan, one
of the most conservative villages of the BaliAga11 original" Balinese.
This is a walled village. Within the bastions, all living compounds are identical
in plan and are arranged in rows on either side of the wide, stone-paved lanes
which run the length of the village.
Trunyan
From Kedisan, on the shores of Lake Batu, a prahu takes you across the lake
to Trunyan, hemmed in by the towering crater wall. A path down the rim of the
crater also leads there. Cut off and relatively inaccessible, Trunyan is technically
and culturally outside the Balinese mainstream.
Ubud
On a side-road, leading inland to the hills near Karangasem, is Tenganan, one
of the most conservative villages of the BaliAga11 original" Balinese.
This is a walled village. Within the bastions, all living compounds are identical
in plan and are arranged in rows on either side of the wide, stone-paved lanes
which run the length of the village.
Uluwatu
Connected to the mainland by a low, narrow isthmus, the limestone tableland
of Bukit peninsula, at 200 meters above sea level, is in striking contrast to
the lush Bali mainland. Cacti grow upon this arid land. Some parts are used
for grazing cattle. A good surfaced road meanders across Bukit to its western
tip, where rocky precipices drop almost one.
Yeh Pulu
A strenuous walk inland along borders of rice fields leads to the unfrequented
ruins of Yeh Pulu. It's best to take a guide there, though you will always be
accompanied by dozens of curious children who scamper along with you. Yeh Pulu
is a small temple walled by a carved cliff face-an enigmatic frieze 2 meters
high and 25 meters long.
(From Bali Vision, http://www.balivision.com/article_resources/placeofinteres.asp)